The homepage of

 

Julia K. Dabbs, Ph.D.

 

Associate Professor, Art History

University of Minnesota, Morris

(320)589-6232 (office)

HFA 5

Email:   dabbsj@morris.umn.edu

 

 

Office Hours (Spring 2009):   Mon. & Wed. 2:15 - 3:15; Tues. & Thurs. 3:45-4:40;  OR by appt.

       

(last update:  1/26/2009)                                                

 

Course Websites:

 

            ArtH 1101   Principles of Art

 

            ArtH 1111   Ancient to Medieval Art

 

                ArtH 1121   Renaissance to Modern Art  

 

                ArtH 3142   Art of the Italian Renaissance (1300-1520)

 

            ArtH 3161   16th-Century Italian Art

 

                ArtH 3171   Baroque Art (17th C. European)

 

                ArtH 3191   American Art to 1900

 

                ArtH 3281    Women & Art

       

                ArtH 3291    Facing the Past:  Portraiture in the Early Modern Period          

 

                ArtH 3311  Italian Renaissance and Baroque Art in Context [spring break study abroad, March 2006]          

 

       

 

        Where I Studied Art History:   As an undergrad, I double-majored in Art History and English at the University of Michigan.

           After working for five years in the library field, I realized my passion for art history was unquenched, and received my M.A. and Ph.D. at the University of Maryland, College Park, where my principal advisor was Anthony Colantuono.  My primary fields of study were 17th-century French and Italian art, and minor field Venetian Renaissance painting.   

 

        Research Interests:   17th-century French art and theory;  Women Artists of the Early Modern period.

         The research for my dissertation on the little-known  but significant17th-century French sculptor, Michel Anguier, took me to Paris and other locations in France.  I have published some of this research (see below), and will continue to do so, but the current focus of my research is on another topic altogether – primary biographical accounts of women artists in early modern Europe, which I’ve gathered from various rare books published in that period.  In addition to articles, this research will eventually be published as an anthology entitled  Life Stories of Women Artists, 1550-1800.

       

 

        Selected Publications:

 

                   [IN PROGRESS]: Life Stories of Women Artists, 1550-1800: an Anthology (Ashgate, ?).                

 

- “Anecdotal Insights:  Changing Perceptions of Italian Women Artists in 18th-century Life Stories,” Eighteenth-Century Women, vol. 5 (2008).

 

- “Sex, Lies, and Anecdotes:  Gender Relations in the Life Stories of Italian Women Artists, 1550-1800,  Aurora: The Journal of the History of Art

          vol. VI (2005):17-37.

 

-  Characterizing the Passions: Michel Anguier’s Challenge to Le Brun’s Theory of Expression.” Journal of the Warburg and Courtauld Institutes, vol. LXV (May 2003).

 

-  Entries for “Anguier, François,” “Anguier, Michel,” “de’Rossi, Properzia,” “Sarrazin, Jacques,” and “François Girardon’s Apollo and the Nymphs of Thetis,” for the forthcoming Encyclopedia of Sculpture (Fitzroy Dearborn Publishers, 2003.

 

-          Entries on Guido Reni, Johannes Vermeer, and Jean-Antoine Watteau in Absolutism and the Scientific Revolution 1600-1720:  An Interdiciplinary Biographical Dictionary, ed. Christopher Baker (Greenwood Press, 2002).

                  

-  “Embodying Ethos:  Anguier, Poussin, and the Concept of Corporal Expression in the French Academy

                             Ph. D. dissertation, University of Maryland at College Park, 1999 (Advisor:  Prof. Anthony Colantuono).

 

-          “Not Mere Child’s Play:  Jacques Stella’s Jeux et plaisirs de l’enfance,” Gazette des Beaux-Arts, CXXV (May-June 1995):303-312.

 

               

        Other Art History Experience:   prior to coming to UMM in 2000, I had temporary teaching positions at other excellent liberal arts colleges, such as Hollins University (Roanoke VA), Kenyon College (Gambier OH) and Loyola College in Maryland.  During grad school I had two museum fellowships at the National Gallery of Art, where I assisted with research for exhibitions dealing with Old Master drawings, and Italian Baroque painting.  I’ve also done contract work as a researcher for the Newseum (Arlington, VA). 

 

                       

       

 

 

 

 

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